uishable, and obvious to her from out that mass of heads and
black coats. The persons who occupy the elevated portions of the house,
who have paid a small price for their admittance, like all other persons
who pay small prices, make large demands for their money, and
consequently unite with the prima donna's admirers in an attempt to get
a last, long, lingering look at the lady. They really "do" all the
applause, thundering with their heavy canes and beating their hands
together until they resemble small lumps of crude beef steaks. After the
requisite amount of delay which is imposed upon the audience to give
them an adequate idea of the obligation the prima donna will confer,
should she see fit to exhibit herself, a human head is seen to project
from behind the curtain, but is drawn back with that kind of jerk which
is said to be peculiar to a turtle establishing his right to the
homestead exemption. This little _aiguillon_ of the prompter has the
desired effect, for the gentlemen in the parquette, who expect the prima
donna to observe _them_ to the entire exclusion of the other five
hundred men in white cravats and black coats, become perfectly frantic,
and the sojourners in "paradise" threaten to take advantage of their
position and empty themselves on the heads of the higher orders of
society, who happen for the present to be below them. The excitement now
begins to infuse itself into all present; the most apathetic old
_habitues_ commence to stretch forth their necks, to wriggle on their
seats, and manifest other signs of sympathy, with the more inflammable
portion of the audience. At length the tenor comes forward from the
side of the curtain, with a sickly smile of inexpressible pleasure on
his countenance. He leads by the hand the prima donna, whose downcast
eyes, and modest demeanor, entirely mislead the audience, giving them
the fullest assurance of her "beautiful disposition," and wholly
contradicting the assertion that she ever stamps her foot at the leader,
or tears the hair of her maid. The brace of singers make one
acknowledgment of gratitude immediately after issuing from behind the
ruins of Palmyra, thence proceeding in front of said ruins, make
another, and the moment before their disappearance perpetrate a third.
This is not sufficient for those enamoured ones who think that by some
evident mistake the prima donna has not recognised _them_, so the
patting of gloves and the tapping of canes is again reso
|