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fly from the spot with every sign of suffering and distress. Others have been seen to sit and listen to music with seeming delight, and even to go every Sunday to church, with the obvious purpose of enjoying the solemn and powerful strains of the organ. Some dogs manifest a keen sense of false notes in music. Mrs. Samuel Carter Hall, at Old Brompton, possesses an Italian greyhound, which screams in apparent agony when a jarring combination of notes is produced, accidentally or intentionally, on the piano. These opposite and various manifestations show what might be done by education to teach dogs a critical knowledge of sounds. A gentleman of Darmstadt, in Germany, as we learn, has taught a poodle dog to detect false notes in music. We give the account of this remarkable instance of educability as it appears in a French newspaper. Mr. S----, having acquired a competency by commercial industry, retired from business, and devoted himself, heart and soul, to the cultivation and enjoyment of music. Every member of his little household was by degrees involved more or less in the same occupation, and even the housemaid could in time bear a part in a chorus, or decipher a melody of Schubert. One individual alone in the family seemed to resist this musical entrancement; this was a small spaniel, the sole specimen of the canine race in the mansion. Mr. S---- felt the impossibility of instilling the theory of sounds into the head of Poodle, but he firmly resolved to make the animal bear _some_ part or other in the general domestic concert; and by perseverance, and the adoption of ingenious means, he attained his object. Every time that a _false note_ escaped either from the instrument or voice--as often as any blunder, of whatever kind, was committed by the members of the musical family (and such blunders were sometimes committed intentionally)--down came its master's cane on the back of the unfortunate poodle, till she howled and growled again. Poodle perceived the meaning of these unkind chastisements, and instead of becoming sulky, showed every disposition to howl on the instant a false note was uttered, without waiting for the formality of a blow. By and by, a mere glance of Mr. S----'s eye was sufficient to make the animal howl to admiration. In the end, Poodle became so thoroughly acquainted with, and attentive to, false notes and other musical barbarisms, that the slightest mistake of the kind was infallibly signalised b
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