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eat object of the will of this worthy citizen, and there is every prospect of its fully answering the purpose, since it has already set the whole community by the ears, and promises to prove as prolific of evils as the strong box of Miss Pandora, without having even Hope at the bottom. This man, who has been so much eulogized dead, seems, as well as I could glean amongst his contemporaries, to have been anything but estimable in his living character. He is universally described as having been tricky, overreaching, and litigious in his dealings as a merchant; an unfeeling relation, an exacting, ungrateful, and forgetful master; and a selfish, cold-hearted man: unoccupied with any generous sympathy, public or private, throughout a long life, devoted to one purpose with sleepless energy, and to one purpose only--making and hoarding money; which, living, he contrived, as far as in him lay, to render as little beneficial to any as possible, and, dying, disposed of to his own personal glorification, but to the vexation of the community, amongst which he appeared to have lived unhonoured, and certainly died unregretted! I am aware that "de mortuis nil nisi bonum" has usually been applied to cases similar to the above; "nil nisi _justem_" I think a sounder reading where a man is held up as a public example, and deem that the selection of a church or a college for a monument should not be permitted to shield the base from animadversion, or call for honours to the worthless. THE THEATRES--WALNUT AND CHESTNUT: So called were the houses at which I first acted here, situated in the two fine streets bearing the same names. The Walnut is a summer theatre, and the least fashionable; and here it was my fortune to make my _debut_ to the Philadelphians with good success: a French company occupied at the same time the Chestnut, where, after a seven nights' engagement at the other house, I succeeded them; the proprietors being the same at both. These houses are large, handsome buildings, marble-fronted, having ample and well-arranged vomitories; and are not stuck into some obscure alley, as most of our theatres are, but standing in the finest streets of the city, and every way easy of approach: within, they are fitted up plainly, but conveniently, and very cleanly and well kept. I prefer the Chestnut, as smaller, and having a pit--as I think all pits ought to be--nearly on a level with the front of the stage, instead of
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