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refer it to all the rest put together." At these words the young man assumed the expression common to boys who are bound to receive the wholesome advice of their elders, yet who do so with silent but respectful doubt, if not with actual disbelief. "Well," he said, after a long pause, "anyway, the Duel _was_ good. And I'd jolly well like to find a treasure in Misticot's grave. Can we have another snow fight?" THE END OF THE FIRST SERIES OF RED CAP TALES FROM THE TREASURE-CHEST OF THE WIZARD OF THE NORTH. FOOTNOTES: [1] These were Scottish children to whom the stories were retold, and they understood the Scottish tongue. So the dialect parts were originally told in that speech. Now, however, in pity for children who have the misfortune to inherit only English, I have translated all the hard words and phrases as best I could. But the old is infinitely better, and my only hope and aim is, that the retelling of these stories by the living voice may send every reader, every listener, to the Master of Romance himself. If I succeed in this, my tale-telling shall not have been in vain. [2] _i.e._ scarecrow. * * * * * Transcriber's Notes Obvious punctuation errors repaired. One reference each of "lifeblood" and "life-blood" were retained. This was also done with "sea-shore" and "seashore". Page 151, "campanion" changed to "companion" (sole companion a) Page 180, "summons" changed to "summon" (would summon all) Page 324, "than" changed to "then" (and then began) Page 374, "hims" changed to "his" (mounted on his) End of Project Gutenberg's Red Cap Tales, by Samuel Rutherford Crockett *** END OF THIS PROJECT GUTENBERG EBOOK RED CAP TALES *** ***** This file should be named 22656.txt or 22656.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/6/5/22656/ Produced by Suzanne Lybarger, Emille and the Booksmiths at http://www.eBookForge.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, appl
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