FREE BOOKS

Author's List




PREV.   NEXT  
|<   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74  
75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   >>   >|  
so possess a tone which is a combination of that produced by silver and copper strings. Here again, however, great discrimination is needed, viz., before putting on the fourth string. The instrument must be understood. There are Violins which will take none but fourths of copper, there are others that would be simply crippled by their adoption. It cannot be too much impressed upon the mind of the player that the Violin requires deep and patient study with regard to every point connected with its regulation. So varied are these instruments in construction and constitution, that before their powers can be successfully developed they must be humoured, and treated as the child of a skilful educator, who watches to gain an insight into the character of his charge, and then adopts the best means for its advancement according to the circumstances ascertained. The strain and pressure of the strings upon a Violin being an interesting subject of inquiry, I give the annexed particulars (_see_ Table below) from experiments made in conjunction with a friend interested in the subject, and possessed of the necessary knowledge to arrive at accurate results. * * * * * The Violin being held in a frame in a nearly upright position, so that the string hung just clear of the nut to avoid friction, the note was obtained by pressing the string to the nut. When the Violin was laid in a horizontal position, and the string passed over a small pulley, an additional weight of two or three pounds was required to overcome the friction on the nut and that of the pulley. Therefore it is probable that the difference in the results obtained by other experiments may have arisen from the different methods employed. But with a dead weight hung on the end of each string there could be no error. TENSION OF VIOLIN STRINGS. _Ascertained by Hanging a Dead Weight on the End of the String_. +-------+--------+------------+------------+------------+------------+ | | |Tension in | | | | | | |lbs. Weight,| | | | | | |hung on the | | Downward | Downward | | | |end of the | | Pressure | Pressure | | | |String to | Downward | on the | on the | |Number | |bring it to | Pressure | Treble Foot| Bass Foot | |of the | |Concert | on the
PREV.   NEXT  
|<   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74  
75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   >>   >|  



Top keywords:

string

 
Violin
 

Downward

 

Pressure

 

results

 

obtained

 
position
 

Weight

 

subject

 

copper


strings

 

pulley

 

friction

 
weight
 
experiments
 

String

 

horizontal

 

passed

 

pressing

 

friend


interested
 

possessed

 
conjunction
 

knowledge

 
arrive
 
upright
 

accurate

 

difference

 

VIOLIN

 
STRINGS

Ascertained
 
TENSION
 
Hanging
 
Treble
 

Concert

 

Number

 

Tension

 

required

 

overcome

 
Therefore

pounds

 

additional

 

probable

 
particulars
 

methods

 

employed

 

arisen

 
crippled
 

adoption

 

simply