s; Spirit Immortal repeated; Chi Mi
Frena repeated; America, Hallelujah Chorus; Star Spangled Banner.

The solos of chorus numbers were sung by our local soloists. While the
Eastern singers were excellent, they found out that in California
there were also artists to be respected, as did the distinguished
leader, Carl Zerrahn, when he began the rehearsals. He had nothing but
the highest praise for the fine musicians he found in this section.
Before this great gathering of singers and people came to an end,
there was still another concert as a farewell tribute to the
strangers. It took place in the Grand Opera house and proved to be a
grand finale to this successful musical undertaking. Every seat in the
opera house was taken. The soloists were at their best; the choruses
grand and inspiring and full of animation. The orchestral numbers were
all new. The bouquet of artists sang their concerted passage from
Lucia even better than on the former occasions.

Besides these concerts there was also a promenade concert at the
Pavilion for the numerous visitors from the interior cities and 2,000
availed themselves of the opportunity. There was also an afternoon
concert by 3,000 children under the baton of Prof. Mansfeldt, and on
Monday night the sacred concert with portions of Elijah and the choice
numbers of the previous concerts was successfully given, and the
musical festival of 1878 passed into history.

Since the chorus played so prominent a part in this festival season,
it would be well to add also a tribute of thanks to these singers of
the city and interior delegations who came at the call of the
director, Sumner Bugbee, in splendid numbers, showing that all the
cities of the state made music a prominent factor. The number of
singers who took part in the first day's performance was 1,800. The
following were the places from which the choruses were drawn, with the
number from each, together with the names of directors:

Bouquet of artists (50), Carl Zerrahn, director; Handel and
Haydn society (453), J.P. Morgan, director; George Gee's
class (100); Jackson's Glee club (165), G.W. Jackson,
director; Apollo Glee club (95), Martin Schultz, director;
Sacramento (60), J. McNiell and Chas. Winters, directors;
San Rafael (24), R.M. Bosworth, director; Oakland Harmonic
(165), J.P. Morgan, director; Oakland Orpheus (80), J.W.
McDougall, director; Oakland High School (81), H.J. Todd,
di