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Bishop of Ptolemais, at Nicaea, 21; refuses Nicene creed, 38; consecrates Pistus, 64, 65. Serapion, Bishop of Thmuis, 125. Silvanus the Frank, 81. Silvanus, Bishop of Tarsus, at Seleucia, 95, 97. Socrates, historian, 79. Stephen, Bishop of Antioch, at Sardica, 70; deposed, 72. Syrianus, _dux AEgypti_, expels Athanasius, 86. Tertullian, 9. Theodoric, 165. Theodosius, Emperor (379-395), choice of and character, 154; first rescript, 155; calls council of Constantinople, 157; second rescript, 163. Theodotus, Bishop of Nicopolis, 136. Theonas, Bishop of Marmarica, at Nicaea, 21; refuses Nicene creed, 38. Theophilus the Goth, at Nicaea, 22. Theophilus the Indian, 120. Theophronius, Bishop of Tyana, 69. Theudelinda, Lombard queen, 166. Timothy, Bishop of Alexandria, 157. Ulfilas, death, 156, 164. Ursacius, Bishop of Singidunum, and Sirmian manifesto, 88, 90, 91; forms Homoean party, 92; at Ariminum, 95. Valens, Emperor (364-378), 46; character, 121; church and state under, 122, 144, 161; 124; Homoean policy, 126; fresh exiles, 127; Procopian panic, 128; baptism and first Gothic war, 129; overawed by Basil, 133; second Gothic war, 149; death at Hadrianople, 150. Valens, Bishop of Mursa, and Sirmian manifesto, 88, 90, 91; forms Homoean party, 92; at Ariminum, 95, 99, 101, 130. Valentinian, Emperor (364-375), character and policy, 121; Semiarian deputation to, 128, 131; death, 146. Vetranio, Emperor (350), 80, 81. Victor, a Sarmatian, 132. Victorinus, Marius, 109. Vincent, Bishop of Capua, at Nicaea, 20; at Sardica, 70; at Antioch, 72; yields at Arles, 83. Vitalis, Apollinarian bishop of Antioch, 141. End of the Project Gutenberg EBook of The Arian Controversy, by H. M. Gwatkin *** END OF THIS PROJECT GUTENBERG EBOOK THE ARIAN CONTROVERSY *** ***** This file should be named 18377.txt or 18377.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/3/7/18377/ Produced by Geoff Horton, David King, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in th
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