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sition--a dying Hercules--and proceeded at once to act upon this suggestion. Having prepared a model that exhibited the upper part of the body--which alone would be visible in the picture--he submitted it to Allston, who recognized so much truth in the anatomy and expression that he urgently advised its completion. After six weeks of careful labor, the statue was finished and sent to West for inspection. That venerable artist, upon entering the room, put on his spectacles, and as he walked around the model, carefully examining its details and general effect, a look of genuine satisfaction beamed from his face. He rang for an attendant and bade him call his son. 'Look here, Raphael,' he exclaimed, as the latter appeared; 'did I not always tell you that every painter could be a sculptor?' We may imagine the delight of the student at such commendation. The same day one of his fellow pupils called his attention to a notice issued by the Adelphi Society of Arts, offering a prize for the best single figure, to be modeled and sent to the rooms of the association within a certain period. The time fixed would expire in three days. Morse profited by the occasion, and placed his 'Dying Hercules' with the thirteen other specimens already entered. He was consequently invited to the meeting of the society on the evening when the decision was to be announced, and received from the hands of the Duke of Norfolk, the presiding officer, and in the presence of the foreign ambassadors, the gold medal. Perhaps no American ever started in the career of an artist under more flattering auspices; and we can not wonder that a beginning so successful encouraged the young painter to devote himself assiduously to study, with a view of returning to his own country fully prepared to illustrate the historical department of the art." Morse spent four years in Europe in close study, and was then obliged to return to America by lack of means to carry on his education in the Old World. He had not indeed reached the high degree of proficiency which he had hoped to obtain before returning home, but he was possessed of natural talents and acquired skill, which fairly entitled him to recognition as one of our leading artists. This recognition never came to him, however, and his artist life in this country was a series of sorrowful disappointments. He found no opportunity of devoting himself to the higher branches of his art, and was obliged to confine himself
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