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ers, 113 Drums, 73, 74, 82, 110 _et seq._ Duality of music, 15 "Dump" and _Dumka_, 151 _Durchfuehrung_, 131 Dvorak, symphonies, "From the New World," 132, 138; in G major, 136 Eames, Emma, 247 Edwards, G. Sutherland, 12 Elements of music, 15, 19 Emotionality in music, 43 English horn, 82, 99, 100 English opera, 223 Ernst's violin, 320 Esterhazy, Prince, 46 Euler, acoustician, 317 Expression, words of, 43 Familiar music best liked, 21 Fancy, 15, 16, 58 Farinelli, 240 Fasch, C.F., 262 Feelings, their relation to music, 38 _et seq._, 215, 216 Ferri, 239, 240 Finale, symphonic, 135 First movement in symphony, 131 Flageolet tones, 89 Florentine inventors of the opera, 217, 227, 234, 249 Flute, 73, 74, 78, 82, 95 _et seq._ Form, 16, 17, 22, 35 Formes, 242, 248 Frederick the Great, 263 Free Fantasia, 131 French horn, 47, 106 _et seq._ Frezzolini, 242 _Friss_, 201 Frogs, musical delineation of, 58, 62 "Gallina et Gallo," 53 Gavotte, 173, 179 German opera, 226 Gerster, Etelka, 242, 245 Gesture, 43 Gigue, 173, 174, 178 Gilbert, W.S., 208, 224 Gilbert and Sullivan's operettas, 224 _Glockenspiel_, 110 Gluck, 84, 148, 153, 202, 203, 238; his dancers, 153; his orchestra, 238; "Alceste," 148; "Iphigenie en Aulide," 153; "Orfeo," 202, 203 Goethe, 34, 140, 223 Goldmark, "Sakuntala" overture, 149 Gong, 110 Gossec, Requiem, 293 Gounod, "Faust," 209, 224, 238, 246 _Grand Opera_, 223, 224 Greek Tragedy, 211 _et seq._ Grisi, 241, 242 _Grosse Oper_, 224 Grove, Sir George, 33, 63, 141, 187 Gypsy music, 198 _et seq._ Halle, Lady, 320 Hamburg, opera in, 206, 207 Handel, 58, 60, 62, 83, 102, 126, 148, 174, 177, 178, 181, 182, 184, 256, 257, 258, 259, 265, 272; his orchestra, 84; his suites, 174; his overtures, 148; his technique as a player, 181, 182, 184; his choirs, 257; Commemoration, 258; his _tutti_, 258; "Messiah," 60, 126, 256, 257, 265, 272; "Saul," 102; "Almira," 177; "Rinaldo," 178; "Israel in Egypt," 58, 62, 257, 259, 289; "_Lascia ch'io pianga_," 178 Hanslick, Dr. Eduard, 203 Harmonics, on violin, 89 Harmony, 19, 21, 22, 218 Harp, 82 Harpsichord, 168, 170 Hauptmann, M., 41 Hautboy, 99 Haweis, the Rev. Mr., 318 _et seq._ Haydn, 46, 84, 100, 127, 168, 183, 295; his manner of composing, 183; dramatic eff
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