shna and their rapturous love-making were devotedly
described.[60]

The work of Sur Das was of special importance for in one of his
compositions he took each of the thirty-six traditional modes of Indian
music-the _Ragas_ and _Raginis_--but instead of celebrating them as
separate 'musical characters,' appended to each a love-poem about Krishna.
Sur Das was followed by Keshav Das of Orchha (fl. 1580), Govind Das (fl.
1590), Bihari Lai (fl. 1650) and Kali Das (fl. 1700)--all poets in whom
religious ecstasy was blended with a feeling for passionate romance. Of
these poets Bihari Lai is famous for the _Sat Sai_ in which he celebrated
Krishna's romance in seven hundred verses.

All this later poetry differed from the _Gita Govinda_ in one important
respect. Instead of dwelling on the temporary rupture in Radha and
Krishna's relationship, it roved freely over the many phases of their
love-making, subjecting every incident to delighted analysis. A poet
thought and felt himself into Radha's mind when as a young girl about to
become a woman she discovered for the first time the exquisite sensations
of awakening love. Or he imagined he was Krishna stumbling on Radha by
accident and being stirred to ecstasy by his first glimpse of her glowing
charms. Sometimes he even became the unseen viewer of their rapturous
exchanges, comforting Radha with sage remarks or egging her on to appease
her hungry lover. In this way many incidents not recorded of any cowgirl
in the _Bhagavata Purana_, though possibly preserved in oral tradition,
came gradually into prominence, thereby confirming Radha as Krishna's
greatest love.

The following incidents will illustrate this process. Radha would be
described as one day taking her curds and milk to a village the farther
side of the river Jumma. Krishna hears of her expedition and along with
other cowherd boys waylays Radha and her friends and claims a toll. Radha
refuses to pay but at last offers to make a token gift provided he ferries
them over. Meanwhile a cowherd boy has hidden the boat and night is coming
on. It is now too late to return so the girls have no alternative but to
stay with Krishna. They lie down by the bank but in the darkness give
Krishna not only the toll but also their souls and bodies.

In another poem, Krishna is shown pestering the cowgirls for curds. Radha
decides to stand this no longer and partly in jest dresses herself up as a
constable. When Krishna next teases the girl