nt of the violin!"

XIV

TIVADAR NACHEZ

JOACHIM AND LEONARD AS TEACHERS

Tivadar Nachez, the celebrated violin virtuoso, is better known as a
concertizing artist in Europe, where he has played with all the leading
symphonic orchestras, than in this country, to which he paid his first
visit during these times of war, and which he was about to leave for his
London home when the writer had the pleasure of meeting him. Yet, though
he has not appeared in public in this country (if we except some Red
Cross concerts in California, at which he gave his auditors of his best
to further our noblest war charity), his name is familiar to every
violinist. For is not Mr. Nachez the composer of the "Gypsy Dances" for
violin and piano, which have made him famous?

Genuinely musical, effective and largely successful as they have been,
however, as any one who has played them can testify, the composer of
the "Gypsy Dances" regards them with mixed feelings. "I have done other
work that seems to me, relatively, much more important," said Mr.
Nachez, "but when my name happens to be mentioned, echo always answers
'Gypsy Dances,' my little rubbishy 'Gypsy Dances!' It is not quite fair.
I have published thirty-five works, among them a 'Requiem Mass,' an
orchestral overture, two violin concertos, three rhapsodies for violin
and orchestra, variations on a Swiss theme, Romances, a Polonaise
(dedicated to Ysaye), and Evening Song, three _Poemes hongrois_, twelve
classical masterworks of the 17th century--to say nothing of songs,
etc.--and the two concertos of Vivaldi and Nardini which I have edited,
practically new creations, owing to the addition of the piano
accompaniments and orchestral score. I wrote the 'Gypsy Dances' as a
mere boy when I was studying with H. Leonard in Paris, and really at his
suggestion. In one of my lessons I played Sarasate's 'Spanish Dances,'
which chanced to be published at the time, and at once made a great hit.
So Leonard said to me: 'Why not write some _Hungarian_ Gypsy
dances--there must be wonderful material at hand in the music of the
_Tziganes_ of Hungary. You should do something with it!' I took him at
his word, and he liked my 'Dances' so well that he made me play them at
his musical evenings, which he gave often during the winter, and which
were always attended by the musical _Tout Paris!_ I may say that during