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one accord united to welcome back the youthful couple, for Dorothy was universally beloved, and somehow or other the story of Manners' disguise had got abroad and had made hosts of admiring friends for him, both high and low. Even Lady Maude melted at last and regarded him with favour, but whether this was because she learned that his uncle, the earl, favoured his nephew and petted his bride, or whether the highly satisfactory conduct of Master Manners himself gained her esteem, must be left for the courteous reader to determine. Happiness now reigned once more in Haddon. The old Hall rung again with shouts of gladness, and in a short space of time Manners had the satisfaction of promoting Lettice's husband to a more honourable position than he had formerly occupied. At the end of a year, as the oft-falling snows betokened the coming of another Christmas, sad news reached Haddon. Margaret was dead. The dampness of Castle Rushen had brought on a fever, to which she soon had succumbed. Thus the whole estates of Haddon fell, ultimately, to Dorothy's share, which she presented to her faithful lover as her dowry. John Manners' descendants, the Rutlands, have had reason to be thankful for this, for it added largely to their riches, but Manners himself declared that had she brought him all the wealth that "Good Queen Bess" possessed, he had not been one whit the happier. He could see nothing he prized so highly as his wife, and in her he found his all in all. It is only necessary to add that discord, never again invaded the domain of Haddon. The marriage proved a happy one; and no one, except the Stanleys, regretted it in THE END. End of Project Gutenberg's Heiress of Haddon, by William E. Doubleday *** END OF THIS PROJECT GUTENBERG EBOOK HEIRESS OF HADDON *** ***** This file should be named 15443.txt or 15443.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/5/4/4/15443/ Produced by S.R.Ellison,Julie Barkley, and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Te
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