FREE BOOKS

Author's List




PREV.   NEXT  
|<   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356  
357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   >>   >|  
y thought, wrote, spoke, felt, and acted like Pagans. To the hypocrisies of obsolete asceticism were added the affectations of anachronistic license. Meanwhile, the national genius for art attained its fullest development, simultaneously with the decay of faith, the extinction of political liberty, and the anarchy of ethics. So strong was the aesthetic impulse that it seemed for a while capable of drawing all the forces of the nation to itself. A society that rested upon force and fraud, corroded with cynicism, cankered with hypocrisy recognizing no standard apart from success in action and beauty in form, so conscious of its own corruption that it produced no satirist among the many who laughed lightly at its vices, wore the external aspect of exquisite refinement, and was delicately sensitive to every discord. Those who understood the contradictions of the age most deeply were the least capable of rising above them Consequently we obtain in Machiavelli's works the ideal picture of personal character, moving to calculated ends by scientifically selected means, none of which are sanctioned by the unwritten code of law that governs human progress. Cosimo's positivism is reduced to theory. Fraud becomes a rule of conduct. Force is advocated, when the dagger or the poisoned draught or the extermination of a city may lead the individual straight forward to his object. Religion is shown to be a political engine. Hypocrisy is a mask that must be worn. The sanctities of ancient use and custom controlling appetite have no place assigned them in the system. Action is analyzed as a branch of the fine arts; and the spirit of the age, of which the philosopher makes himself the hierophant, compels him to portray it as a sinister and evil art. In the civilization of Italy, carried prematurely beyond the conditions of the Middle Ages, before the institutions of mediaevalism had been destroyed or its prejudices had been overcome, we everywhere discern the want of a co-ordinating principle. The old religion has died; but there is no new faith. The Communes have been proved inadequate; but there is no nationality. Practical positivism has obliterated the virtues of a chivalrous and feudal past; but science has not yet been born. Scholarship floods the world with the learning of antiquity; but this knowledge is still undigested. Art triumphs; but the aesthetic instinct has invaded the regions of politics and ethics, owing to defective a
PREV.   NEXT  
|<   332   333   334   335   336   337   338   339   340   341   342   343   344   345   346   347   348   349   350   351   352   353   354   355   356  
357   358   359   360   361   362   363   364   365   366   367   368   369   370   371   372   373   374   375   376   377   378   379   380   381   >>   >|  



Top keywords:

aesthetic

 

political

 
ethics
 

positivism

 
capable
 

individual

 

analyzed

 

straight

 

advocated

 

assigned


Action

 
system
 

hierophant

 

compels

 
portray
 
philosopher
 
spirit
 

branch

 

controlling

 
extermination

draught
 

engine

 

sanctities

 

poisoned

 
forward
 
custom
 

Hypocrisy

 

dagger

 

ancient

 

Religion


object
 

appetite

 

institutions

 

science

 

floods

 

Scholarship

 

feudal

 

Practical

 

nationality

 
obliterated

virtues

 
chivalrous
 
learning
 

invaded

 

instinct

 
regions
 

politics

 
defective
 

triumphs

 
antiquity