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save to smell? I used to torment myself once by asking them all what they meant. Now, I am content to have done with symbolisms, and say, 'What you all mean, I care not, all I know is, that I can draw pleasure from the mere sight of you, as, perhaps, you do from the mere sight of me; so let us sit together, Nature and I, and stare into each other's eyes like two young lovers, careless of the morrow and its griefs.' I will not even take the trouble to paint her. Why make ugly copies of perfect pictures? Let those who wish to see her take a railway ticket, and save us academicians colours and canvas. _Quant a moi_, the public must go to the mountains, as Mahomet had to do; for the mountains shall not come to the public." "One of your wilful paradoxes, Mr. Mellot; why, you are photographing them all day long." "Not quite all day long, madam. And after all, _il faut vivre:_ I want a few luxuries; I have no capacity for keeping a shop; photographing pays better than painting, considering the time it takes; and it is only Nature reproducing herself, not caricaturing her. But if any one will ensure me a poor two thousand a year, I will promise to photograph no more, but vanish to Sicily or Calabria, and sit with Sabina in an orchard all my days, twining rose garlands for her pretty head, like Theocritus and his friends, while the 'pears drop on our shoulders, and the apples by our side.'" "What do you think of all this?" asked Valencia of Frank. "That I am too like the Emersonian oyster here, very happy, and very useless; and, therefore, very anxious to be gone." "Surely you have earned the right to be idle awhile?" "No one has a right to be idle." "Oh!" groaned Claude; "where did you find that eleventh commandment?" "I have done with all eleventh commandments; for I find it quite hard work enough to keep the ancient ten. But I find it, Mellot, in the deepest abyss of all; in the very depth from which the commandments sprang. But we will not talk about it here." "Why not?" asked Valencia, looking up. "Are we so very naughty as to be unworthy to listen?" "And are these mountains," asked Claude, "so ugly and ill-made, that they are an unfit pulpit for a sermon? No; tell me what you mean. After all, I am half in jest" "Do not courtesy, pity, chivalry, generosity, self-sacrifice,--in short, being of use,--do not our hearts tell us that they are the most beautiful, noble, lovely things in the world?" "I
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