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there. As for the ladies of the household, they neither knew nor cared what either an examination or a plucking meant, and condoled with me only because they saw me in such distress. Dimitri came to see me every day, and was very kind and consolatory throughout; but for that very reason he seemed to me to have grown colder than before. It always hurt me and made me feel uncomfortable when he came up to my room and seated himself in silence beside me, much as a doctor might scat himself by the bedside of an awkward patient. Sophia Ivanovna and Varenika sent me books for which I had expressed a wish, as also an invitation to go and see them, but in that very thoughtfulness of theirs I saw only proud, humiliating condescension to one who had fallen beyond forgiveness. Although, in three days' time, I grew calmer, it was not until we departed for the country that I left the house, but spent the time in nursing my grief and wandering, fearful of all the household, through the various rooms. One evening, as I was sitting deep in thought and listening to Avdotia playing her waltz, I suddenly leapt to my feet, ran upstairs, got out the copy-book whereon I had once inscribed "Rules of My Life," opened it, and experienced my first moment of repentance and moral resolution. True, I burst into tears once more, but they were no longer tears of despair. Pulling myself together, I set about writing out a fresh set of rules, in the assured conviction that never again would I do a wrong action, waste a single moment on frivolity, or alter the rules which I now decided to frame. How long that moral impulse lasted, what it consisted of, and what new principles I devised for my moral growth I will relate when speaking of the ensuing and happier portion of my early manhood. End of the Project Gutenberg EBook of Youth, by Leo Tolstoy *** END OF THIS PROJECT GUTENBERG EBOOK YOUTH *** ***** This file should be named 2637.txt or 2637.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/3/2637/ Produced by Martin Adamson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special
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