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ons; and then to Anspach, in 1769. ANSPACH. (1.) JOACHIM ERNST, third son of Kurfurst Johann George: born 1583; got Anspach 1603; died 1625. Had military tendencies, experiences; did not thrive as Captain of the EVANGELICAL UNION (1619-1620) when WINTER-KING came up and THIRTY-YEARS WAR along with him. Left two sons; elder of whom, (2.) Friedrich, nominally Sovereign, age still only eighteen, fell in the Battle of Nordlingen (worst battle of the Thirty-Years War, 1634); and the younger of whom, (3.) Albert, succeeded (1620, 1634, 1667), and his son, (4.) Johann Friedrich (1654, 1667, 1686); and (5, 6, 7.) no fewer than three grandsons,--children mostly, though entitled "sovereign"--in a PARALLEL way (Christian Albert, 1675, 1686, 1692; George Friedrich, 1678, 1692, 1703; Wilhelm Friedrich, 1685, 1703, 1723). Two little points notable here also, and no third: FIRST, That one of the grand-DAUGHTERS, full-sister of the last of these three parallel figures, half-sister of the two former, was--Queen Caroline, George II.'s wife, who has still some fame with us. SECOND, That the youngest of said three grandsons, Queen Caroline's full-brother, left a son then minor, who became major, (8.) and wedded a Sister of our dear little Wilhelmina's, of whom we shall hear (Karl Wilhelm Friedrich, 1712, 1723, 1757); unmomentous Margraf otherwise. His and her one son it was, (9.) Christian Friedrich Karl Alexander (1736, 1757, 1806), who inherited Baireuth, inherited Actress Clairon, Lady Craven, and at Hammersmith (House once Bubb Doddington's, if that has any charm) ended the affair. NINE Anspach Margraves; in FIVE generations: end, 1806. END OF BOOK III End of the Project Gutenberg EBook of History Of Friedrich II. of Prussia, Vol. III. (of XXI.), by Thomas Carlyle *** END OF THIS PROJECT GUTENBERG EBOOK HISTORY OF FRIEDRICH II. *** ***** This file should be named 2103.txt or 2103.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/0/2103/ Produced by D.R. Thompson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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