FREE BOOKS

Author's List




PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  
t little miniatures." Faber had risen as he discoursed. "I have a copy of it," he added, leading the way into his own private gallery, while Craig and I followed him without comment. We gazed long and intently at the face of the central figure. Small though it was, it was a study in itself, a puzzle, distracting, enigmatical. There was a hard, cruel sensuousness about the beautiful mouth which the painter seemed to have captured and fixed beneath the very oils. Masked cleverly in the painted penetrating dark eyes was a sort of cunning which, combined with the ravishing curves of the cheeks and chin, transfixed the observer. Something in the face reminded me of a face I had once seen. It was not exactly Rita's face, but it had a certain quality that recalled it. I fancied that there was in both the living and the painted face a jealousy that would brook no rivalry, that would dare all for the object of its love. Faber saw that we had caught the spirit of the portrait, and seemed highly gratified. "What crimes a man might commit under the spell of a woman like that!" exclaimed Craig, noticing his gratification. "By the way, do you know that Miss Fleming was said to have had the original--and that it is gone?" Faber looked from one to the other of us without moving a muscle of his face. "Why, yes," he replied steadily. I could not make out whether he had expected and been prepared for the question or not. At any rate he added, half serious, half smiling, "Even for her portrait someone was ready to risk even life and honor to kidnap her!" Evidently in his ardor he personified the picture, felt that the thief must have been moved by what the psychologists call "an imperative idea" for the mere possession of such a treasure. "Still," Craig remarked dryly, "the wanderings of the lost Duchess by Gainsborough for a quarter of a century stuffed into a tin tube, to say nothing of the final sordid ending of the capture of Mona Lisa, might argue a devotion among art thieves a bit short of infatuation. I think we'll find this lady, too, to be held for ransom, not for love." Faber said nothing. He was evidently waiting for Kennedy to proceed. "I may photograph your copy of the Fete?" queried Craig finally, "so as to use it in identifying the real one?" "Surely," replied the collector. "I have no objection. If I should happen to be out when you came, I'll leave word with my man to let you go ahead." Just
PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  



Top keywords:

painted

 

replied

 
portrait
 

picture

 

personified

 

imperative

 

possession

 

happen

 

psychologists

 
prepared

question
 

expected

 

kidnap

 
smiling
 
Evidently
 

identifying

 

Surely

 
infatuation
 

finally

 
proceed

photograph

 
queried
 
Kennedy
 

waiting

 

ransom

 

evidently

 
thieves
 

quarter

 

objection

 
century

stuffed
 

Gainsborough

 

Duchess

 

remarked

 

wanderings

 

devotion

 

capture

 

collector

 

sordid

 
ending

treasure
 
gratification
 

captured

 

beneath

 

painter

 
sensuousness
 

beautiful

 

Masked

 

cleverly

 

cheeks