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econd flash and grey shape sprang up from the Norwood stage. And even as he stared at this came a dead report, and the air wave of the first explosion struck him. He was flung up and sideways. For a moment the aeropile fell nearly edgewise with her nose down, and seemed to hesitate whether to overset altogether. He stood on his wind-shield wrenching the wheel that swayed up over his head. And then the shock of the second explosion took his machine sideways. He found himself clinging to one of the ribs of his machine, and the air was blowing past him and upward. He seemed to be hanging quite still in the air, with the wind blowing up past him. It occurred to him that he was falling. Then he was sure that he was falling. He could not look down. He found himself recapitulating with incredible swiftness all that had happened since his awakening, the days of doubt the days of Empire, and at last the tumultuous discovery of Ostrog's calculated treachery, he was beaten but London was saved. London was saved! The thought had a quality of utter unreality. Who was he? Why was he holding so tightly with his hands? Why could he not leave go? In such a fall as this countless dreams have ended. But in a moment he would wake.... His thoughts ran swifter and swifter. He wondered if he should see Helen again. It seemed so unreasonable that he should not see her again. It _must_ be a dream! Yet surely he would meet her. She at least was real. She was real. He would wake and meet her. Although he could not look at it, he was suddenly aware that the earth was very near. End of Project Gutenberg's When the Sleeper Wakes, by Herbert George Wells *** END OF THIS PROJECT GUTENBERG EBOOK WHEN THE SLEEPER WAKES *** ***** This file should be named 775.txt or 775.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/7/7/775/ Produced by John Bean Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
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