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e wonderful figures that Jean made, that were not clay at all, but that breathed and lived, and to whom she could talk about Jean, and about his great triumph, and tell them all that was in her heart, and they would listen to her and understand as no one else could, and never tell any one that she had been there. And she would not be afraid of them at all any more, not even at first, as she had been last night because they looked so ghostlike in the white cloths that were wrapped around them. She looked hurriedly about her, then opened the door, stepped inside, and crossed noiselessly into the salon. She could not quite still the pounding of her heart, because it was night, and because it was dark, and because she was doing something that no one must know; but she was not at all afraid now. Since last night she had been so sure that there was nothing to fear. Hector and Madame Mi-mi had thought it the most natural thing to find her working there that morning when they had got up. Was it not for that she had been given the key? And to-morrow morning again when daylight came it would be the same; and now--she was hurrying through the salon to the _atelier_--and now she was to see that splendid, glorious figure, the "_Fille du Regiment_," again, and see the face that perhaps, oh, perhaps to-night, after Jean's work of the day upon it, would be finished, and that she would recognise. She slipped between the portieres into the moonlit room, and--she could not wait even to take off her cloak and turban--tiptoed eagerly, excitedly across the _atelier_, mounted upon the modelling platform, and threw back the white damp cloth, revealing the figure's head. And then, for a moment, she could only gaze at it, puzzled and bewildered; and then, very slowly and regretfully, she sat down upon the platform. The face had not been touched. It--it was exactly as it had been last night. Somehow, Jean had not done any work that day--or else, perhaps, he had worked on some of the other figures. She sat staring at the face of the clay figure in a disappointment that was almost dismay--and then suddenly she smiled. After all, it was she herself who was the cause of her disappointment; she had wanted to see that face with its finished touch so much that, in her eagerness, she had quite made herself believe that she would find it so--whereas it might be days and days yet before Jean would have completed it. And instead of being dis
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