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EXCELLENT CONDITIONS Sometimes the managers are badly mistaken. It is common gossip that a very celebrated opera singer sought a vaudeville engagement and was turned down because of the lack of the musical experience of the manager, and because she was unknown. If he wanted her to-day his figure would have to be several thousand dollars a week. The average vaudeville theater in America is far better for the singer, in many ways, than many of the opera houses. In fact the vaudeville theaters are new; while the opera houses are old, and often sadly run down and out of date. Possibly the finest vaudeville theater in America is in Providence, R. I., and was built by E. F. Albee. It is palatial in every aspect, built as strong and substantial as a fort, and yet as elegant as a mansion. It is much easier to sing in these modern theaters made of stone and concrete than in many of the old-fashioned opera houses. Indeed, some of the vaudeville audiences often hear a singer at far better advantage than in the opera house. The singer who realizes the wonderful artistic opportunities provided in reaching such immense numbers of people, who will understand that he must sing up to the larger humanity rather than thinking that he must sing down to a mob, who will work to do better vocal and interpretative thinking at every successive performance, will lose nothing by singing in vaudeville and may gain an army of friends and admirers he could not otherwise possibly acquire. EMMA THURSBY BIOGRAPHICAL Emma Thursby was born in Brooklyn, N. Y., and studied singing with Julius Meyers, Achille Errani, Mme. Rudersdorf, Lamperti (elder), San Giovanni and finally with Maurice Strakosch. She began her career as a church singer in New York and throngs went to different New York churches to hear her exquisitely mellow and beautiful voice. For many years she was the soprano of the famous Plymouth Church when Henry Ward Beecher was the pastor. Her voice became so famous that she went on a tour with Maurice Strakosch for seven years, in Europe and America, everywhere meeting with sensational success. Later she toured with the Gilmore Band and with the Thomas Orchestra. She became as popular in London and in Paris as in New York. Her fame became so great that she finally made a tour of the world, appearing with great success even in China and Japan. [Illustration: EMMA THURSBY.] SINGING IN CONCERT AND WHAT IT MEANS E
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