FREE BOOKS

Author's List




PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94  
95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>   >|  
wandering, followed by a characteristic chorus of voices of earth and air bidding him pass to the tree under whose leaves it was foretold that truth should come to him for the saving of the world. A short bass recitative leads to a vigorous descriptive chorus relating the temptations of Siddartha, in which the orchestra is used with masterly effect. A brief soprano solo, the apparition of Yasodhara among the wanton shapes floating about the tree, imploring him to return, and the tenor response, bidding the shadow depart, intervene; and then the chorus resumes with increased vigor, reaching a furious climax as the legions of hell tempt him, but dying away in the close to phrases of tender beauty:-- "Radiant, rejoicing, strong, Buddha arose, And far and near there spread an unknown peace. As that divinest daybreak lightened earth, The world was glad." The third part (the Return) opens with a soprano solo of a slow and mournful character, relating the sorrow of Yasodhara and the visit of her damsels, who announce the arrival of merchants with tidings of Siddartha. They are summoned, and tell their story in a short chorus, which is followed by a brief soprano solo ("Uprose Yasodhara with Joy"), an exultant chorus ("While the Town rang with Music"), and another brief phrase for soprano, leading to a fine choral outburst ("'Tis he! Siddartha, who was lost"). The next number, a bass solo describing the King's wrath when he learns that Siddartha has returned as a yellow-robed hermit instead of with "shining spears and tramp of horse and foot," is very sonorous as well as dramatic, and is followed by a tenor and bass dialogue developing into a trio of great beauty ("Thus passed the Three into the Way of Peace"). The final number is a masterpiece of choral work both in the elaborateness of its construction and the majesty of its effect, and brings the cantata to a close with the mystic words:-- "The Dew is on the Lotus! Rise, great Sun! And lift my leaf and mix it with the wave. The Sunrise comes! the Sunrise comes! The Dewdrop slips into the shining sea. Hail, High Deliverer, Hail!" CORDER. Frederick Corder, the English composer and conductor, was born at Hackney, London, Jan. 26, 1852. He was a student at the Royal Academy of Music in 1874, and in the following year gained the Mendelssohn scholarship. From 1875 to 1878 he studied at Cologne with Hiller
PREV.   NEXT  
|<   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94  
95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   >>   >|  



Top keywords:

chorus

 

soprano

 

Siddartha

 

Yasodhara

 

Sunrise

 

relating

 

effect

 

shining

 

number

 

bidding


choral
 

beauty

 

developing

 
passed
 
masterpiece
 
elaborateness
 

learns

 
returned
 

describing

 

yellow


sonorous

 

dramatic

 

hermit

 

construction

 

spears

 

dialogue

 

Dewdrop

 

student

 

Academy

 

conductor


Hackney
 
London
 
studied
 

Cologne

 

Hiller

 

gained

 

Mendelssohn

 

scholarship

 
composer
 
English

brings

 

cantata

 
mystic
 

Deliverer

 
CORDER
 

Frederick

 
Corder
 

outburst

 

majesty

 
announce