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ogene Flaherty? She's anxious to start in as author's agent." The author had no objections to raise beyond the fact that he disliked doing business with women and was afraid of anybody named Imogene. The dime-novelist shook his head and said women in business and journalism had come to stay. And seriously, Miss Flaherty might easily be of immense assistance to the author. "Very nice girl, too--h-m--hm!" This reminiscently. "Very decent little woman. Go and see her--take my card--down in Cheyne Walk. She had a flat down there near Church Street. H-m. Yes." So it happened. And the result had been an explosion. Miss Flaherty had accepted the commission and had read the manuscript and had, in common parlance, gone up in the air. Her enthusiasm literally knew no bounds. She did not actually foam at the mouth, but she displayed all the symptoms of advanced literary hysteria. Now there is this to be said for the sea--it may not furnish one with universal judgments about women but it does provide the solitude and austere discipline which enable a man to coordinate his hitherto chaotic ideas about them. And women, if they only knew how they appear to the imagination of men on the rolling waters, would undoubtedly modify their own conceptions of life, and possibly profit by the change. Imogene, however, had no such moment of illumination. She lived in an enchanted world of imitation emotion and something in the author's manuscript had set her off, had appealed to her rudimentary notions of fine writing, and engendered a flame of enthusiasm. It is not too much to say that she believed in that manuscript much more than the author did. That is the correct attitude for a successful agent. Imogene did not "push" the book, as salesmen say, so much as herald it. She entered publishers' offices like a prophetess or one of the seraphim, panoplied in shining plumage, blinding the poor human eyes with beams of heavenly radiance, the marvellous manuscript, like a roll of lost gospels, held out before her. She blew a blast on her trumpet and the doors of the publishers' readers swung wide. No knowledge of English literature prevented her from uttering her solemn conviction that here was the greatest book since Geoffrey Chaucer laid down his pen. With intrepid resource she warned the hesitating publisher that he would have none save himself to blame if he missed this chance of immortalizing his house, and eventually a publisher was discovered
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