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my friend, stand by me now, in this my hour of need! How foolish! I am alone at sea, and my friend is in London, puzzling over my behaviour to him. The cool breeze against my face arouses me. The mood of exultation in my engines, the mood of blank despair, both have passed, and I am, I hope, myself again. Once more "the kick o' the screw beneath us and the round blue seas outside." Once more the wandering fever is in my blood, and, as the winter's day fades away, I stand against the rail looking eastward at the flashing lights, calmer than I have been since that night--a month ago. I am an ocean tramp once more, and count it life indeed. "_And out at sea, behold the dock-lights die, And meet my mate, the wind that tramps the world._" XVIII I have been looking into some of my books, now that the sea is so calm and the weather so enchantingly fair. I find a pleasurable contrast in dipping into such volumes as Boswell's "Johnson," Goldsmith's "Beau Nash," and Lady Montague's "Letters." The life they depict is so different, the opinions they express so dissimilar from those I have myself gradually grown to affect. And what an amazing _farrago_ is that same Boswell! Surely, if ever a book was written _con amore_, it is that one. Compare it with the "Life of Beau Nash." Each is the biography of a remarkable man, but what a difference! In every line Goldsmith displays a certain forced interest. I do not know, but I am almost positive he cared very little for his subject; I feel that the work is only being carried on for the sake of gain. Regarded so, it is a masterly little Life. Two hundred small pages--Nash merits no more on the roll of fame. But the former, twelve hundred closely printed pages. No paltry little anecdote or incident, germane or not, is too contemptible for him. The identity of some obscure school, the mastership of which Johnson never held, is argued about until one is weary of the thing. The illegible note, written for his own eye alone, is construed in a dozen ways, and judgment delivered as though the fate of empires hung thereon. The smug complaisance with which he cites some prayer or comment to illustrate his idol's religious orthodoxy would have angered me once--_did_ anger me once--but out here, on the broad blue ocean, I smile at the toady, and marvel at the wondrous thing he has wrought. Pleasant, too, to turn the leaves of my Dryden, and glance through some of those
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