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ppointed hour, therefore, I called at the rooms, where I was received by a young negro of the blackest type. He was dressed in full Turkish costume, and his actions gave me the impression that he was dumb. This black mute first ushered me into a very large front room, elegantly furnished in the style of a modern _salon_. Heavy curtains hung in graceful folds from richly gilded cornices, sufficiently obscuring the windows to prevent the strong glare of the afternoon sun from penetrating directly into the room; arm-chairs and sofas were plentifully scattered about, to accommodate the throng of persons who were expected to visit the fortune-teller; the walls were hung with engravings and paintings; and on the floor was a thick Brussels carpet into which my feet sank noiselessly, as I walked about inspecting the pictures and furniture. After scanning the sable usher for a few minutes, I said: "Now, if that color would wash off, I should feel sure of finding one of my office boys, named Jack Scott, underneath." The mute grinned responsively, and I saw that I had guessed correctly. "Well, Jack," I continued, "I don't think you need fear detection. Where is Mrs. Warne?" Jack still remained mute; but he went into another room, and soon beckoned me to follow him. As I crossed the threshold, the door closed noiselessly behind me. It took me several seconds to accustom my eyes to the change in the light. Then I began to gather an idea of the surroundings, and my surprise at Mrs. Warne's success was equalled only by my admiration of her good taste and judgment. The room was nearly square, but a large mirror, at the end opposite the entrance, gave a duplicate view of the whole; the shape of the mirror being that of a large doorway, the effect was to give an appearance of two rooms, instead of one. The walls and windows were hung with some dark colored material, which wholly shut out every ray of sunlight; but a soft, dim radiance was shed from five swinging lamps, one in each corner and the fifth in the centre of the room. These lamps were of bronzed silver, of Oriental patterns, and were all in motion; the corner lamps swinging back and forth toward the centre, and the centre one, swinging slowly around in a circle. On the walls, were hung several charts and mystic symbols, while the floor was covered with a close matting of white straw, upon which was painted the common representation of the signs of the zodiac. A number of s
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