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e kachthes, all aei pote_ _ze tauta, koudeis oiden ex otou phane--_ the unwritten irresistible laws, ever-living, whose origin no one can tell. It would be of no avail, I submit, to point out to Sophocles, as Spencer pointed out to Kant, that a knowledge of the early condition of man would have made short work of these sublimities, that the cosmical man was before the ethical man, in whom we discover very little evidence of these majestic laws of such universal and undeniable validity. The reply would be that the growth of them is only evidence of what was potentially present from the first, that just as the beating of brass was no obstacle to the ultimate evolution of the opera or the oratorio, or the first vague feelings of wonderment with which primitive man surveyed himself and his surroundings to the creation of the world of science and philosophy, so the undoubted fact that man was unmoral at the start is no obstacle to the belief that the moral law was as existent then as now. Nay, just as the cosmic process itself from the first contained the promise and potency of an organic form ultimately to be called man and to become "the crowning glory of the universe," so also, we hold, it contained the potentialities of that whereby man was enabled to crown the splendid edifice of creation by the imperishable deeds he has done, and that just as it would be futile to ask one to point out traces of man amongst "the dragons of the prime," or some Bathybiotic slime, so it would be equally irrelevant to demand indications of moral life in the tertiary man. But, as in the savage of to-day, as in the infant, it is there; and the fact that it ultimately appears shows that it was there. So surely as the laws of music, mathematics and thought, are of the Sophoclean category of eternal facts, man's discoveries not his creations, so also are the moral laws, and, therefore, when Mr. Spencer points out the aborigines who are destitute, to all appearances, of what we understand by the term morality and traces its growth through almost everlasting generations of men, he is but describing the history of ethic, the development of morality, just as one might write the history of music, or of the rifle, from the days of the blunderbuss to the Mauser or Lee-Metford; but what ethic, what morality, is _in se_, he leaves untouched. The form differs from the content, _history_ differs from the _reality_ of which it is the history, and
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