d of the Roman Empire,
the citadel of the earth, the terror of kings; illustrated by the
footsteps of so many triumphs, enriched with the spoils and tributes
of so many nations. This spectacle of the world, how is it fallen! how
changed! how defaced! The path of victory is obliterated by vines, and
the benches of the senators are concealed by a dunghill. Cast your
eyes on the Palatine Hill, and seek among the shapeless and enormous
fragments the marble theater, the obelisks, the colossal statues, the
porticoes of Nero's palace; survey the other hills of the city,--the
vacant space is interrupted only by ruins and gardens. The Forum of
the Roman people, where they assembled to enact their laws and elect
their magistrates, is now inclosed for the cultivation of pot-herbs,
or thrown open for the reception of swine and buffaloes. The public
and private edifices that were founded for eternity lie prostrate,
naked, and broken, like the limbs of a mighty giant; and the ruin is
the more visible, from the stupendous relics that have survived the
injuries of time and fortune."...
After a diligent inquiry, I can discern four principal causes of the
ruin of Rome, which continued to operate in a period of more than a
thousand years. I. The injuries of time and nature. II. The hostile
attacks of the Barbarians and Christians. III. The use and abuse of
the materials. And IV. The domestic quarrels of the Romans.
I. The art of man is able to construct monuments far more permanent
than the narrow span of his own existence; yet these monuments, like
himself, are perishable and frail; and in the boundless annals of time
his life and his labors must equally be measured as a fleeting moment.
Of a simple and solid edifice it is not easy, however, to circumscribe
the duration. As the wonder of ancient days, the Pyramids attracted
the curiosity of the ancients: a hundred generations, the leaves of
autumn, have dropt into the grave; and after the fall of the Pharaohs
and Ptolemies, the Caesars and caliphs, the same Pyramids stand erect
and unshaken above the floods of the Nile. A complex figure of various
and minute parts is more accessible to injury and decay; and the
silent lapse of time is often accelerated by hurricanes and
earthquakes, by fires and inundations. The air and earth have
doubtless been shaken, and the lofty turrets of Rome have tottered
from their foundations, but the seven hills do not appear to be placed
on the great cavi
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