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his taxicab. "The Bizarre!" wheezed he to the chauffeur; and dodging in, banged the door. As for P. Sybarite, he watched the vehicle swing away and round the corner of Seventh Avenue, a doubtful glimmer in eyes that had burned hot with hostility, a slight ironic smile wreathing lips that had shown hatred. "But what's the good of that?" he said in self-disgust, as the taxicab disappeared. With a sigh, shaking himself together, he went into Dutch House. XIV WHERE ANGELS FEAR TO TREAD From street door to restaurant entrance, the hallway of Dutch House was some twenty-five feet long, floored with grimy linoleum in imitation of tiling, greasy as to its walls and ceiling, and boasting an atmosphere rank with a reek compounded of a dozen elements, in their number alcohol, cheap perfumery, cooked meats, the sweat of unclean humanity, and stale tobacco smoke. Save for this unsavoury composite wraith, the hall was empty when P. Sybarite entered it. But it echoed with sounds of rowdy revelry from the room in back: mechanical clatter of galled and spavined piano, despondent growling of a broken-winded 'cello, nervous giggling and moaning of an excoriated violin--the three wringing from the score of _O You Beautiful Doll_ an entirely adequate accompaniment to the perfunctory performance of a husky contralto. Though by no means squeamish, on the testimony of his nose and ears P. Sybarite then and there concluded that he would have to have become exceedingly blase indeed to find Dutch House amusing. And when he had gone on into the restaurant itself, slipping his modest person inconspicuously into a chair at the nearest unoccupied table, the testimony of his other senses as to the character of his company served to confirm this impression. "It's no use," he sighed: "I'm too old a dog.... Be it ever so typical, there's _no_ place like one's own hash-foundry." ... This room was broad and deep, and boasted, at its far end, a miniature stage supporting the orchestra and, temporarily, the gyrations of a lady in a vivacious scarlet costume--mistress of the shopworn contralto--who was "vamping with the feet" the interval between two verses of her ballad. The main floor was strewn with tables round which sat a motley gathering of gangsters, fools, pretty iniquities and others by no stretch of the imagination to be termed pretty, confidence men, gambling touts, and the sprinkling of drunkards--plain, co
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