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cle Bally. But Rosamond was rather aghast to find Bally making such love as only an Irishman could do to the prim little widow at Sirenwood, dismayed and a little bit ashamed of her unspoken conviction that Bally, after all his wild freaks and frolics, had come to have an eye to the needs of the Rathforlane property; and what were her feelings when, instead of finding the wild Irishman contemned, she perceived that he was believed in and met fully half way? The stiffness melted, the eyes softened and sparkled, the lips parted in soft agitated smiles, the cheeks learnt to blush, and Cecil was absolutely and thoroughly in love! Yes, she had found her heart and was won--won in spite of the Dunstone dislike to the beggarly title--in spite of Miles's well- considered cautions--in spite of all her original self. And if Ballybrehon began from mere desire to try for the well-endowed widow, he had the warm loving nature that was sure to kindle and reciprocate the affection he evoked, enough to make him a kind husband. And yet, could any one have wished Cecil Poynsett a more trying life than one of her disposition must needs have with impetuous, unpunctual, uncertain, scatter-brained, open-handed Ballybrehon, always in a scramble, always inviting guests upon guests without classification, and never remembering whom he had invited! Rosamond herself declared she should be either in a rage or worn to fritters by a month of it. How Cecil liked it never appeared. Some thought that they squabbled and worried each other in private, but it is certain that, as Terry said, Bally had turned the block into living flesh and blood, and Lady Ballybrehon was wondrously livelier, brighter, and sweeter ever since she had been entirely conquered by the tyrant love, and had ceased to be the slave of her own way. ***END OF THE PROJECT GUTENBERG EBOOK THE THREE BRIDES*** ******* This file should be named 12485.txt or 12485.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/4/8/12485 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Ter
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