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pil Phynicus "came out" at the feasts of Bacchus; when "Roscius was an actor in Rome;" when Scaramouch turned the Materia Medica into a farce, and became a quack doctor in Italy; when Richardson set up his show in England--all these geniuses were peregrinate, peripatetic--their scenes were really moving ones, their tragic woes went upon wheels, their comedies were run through at the rate of so many miles per hour; the entire drama was, in fact, a travelling concern. Punch, the concentrated essence of all these, has, up to this date, preserved the pristine purity of his peripatetic fame; he still remains on circuit, he still retains his legitimacy. But, alas! ere this sheet has passed through the press, while its ink is yet as wet as our dear Judy's eyes, he will have fallen from his high estate: Hall will have housed him! Punch will have taken a stationary stand at the Strand Theatre!! The last stroke will have been given to the only ancient drama remaining, except the tragedies of Sophocles, and "Gammer Gurton's Needle." With feelings of both sorrow and anger, we turn from the pedestrian to the equestrian drama. The Surrey has again, as of yore, become the Circus; she has been joined to Ducrow and his stud by the usual symbol of union--a _ring_. "Mazeppa" is _ridden_ by Mr. Cartlitch, with great success, and the wild horse performed by an animal so highly trained, that it is as tame as a lap-dog--has galloped through a score or so of nights, to the delight of some thousands of spectators. The scenes in the circle exhibit the usual _round_ of entertainment, and the _Merryman_ delivers those reliques of antique facetiae which have descended to the clowns of the ring from generation to generation, without the smallest innovation. Thus the Surrey shows symptoms of high prosperity, and properly declines to fly in Fortune's face by attempting novelty. The Victoria continues to kill "James Dawson," in spite of our prediction. The bills, however, promise that he shall die outright on Monday next, and a happy release it will be. The proprietor of "Sadler's Wells" is making most spirited efforts to attract play-goers to the Islington side of the New River, by a return to the legitimate drama of _his_ theatre, viz.--real water; while his box check-taker has kept one important integer of the public away; namely, that singular plural _we_--by impertinence for which we have exhausted all patience without obtaining redress. Ther
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