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th these, and those gifts of nature, a stout heart and a willing hand, of which none can rob me, I will either ascend the rest, even to the summit, or fall to the dust, unknown, but not contemned; unlamented, but not despised." "Well, well," said Talbot, brushing away a tear which he could not deny to the feeling, even while he disputed the judgment, of the young adventurer,--"well, this is all very fine and very foolish; but you shall never want friend or father while I live, or when I have ceased to live; but come,--sit down, share my dinner, which is not very good, and my dessert, which is: help me to entertain two or three guests who are coming to me in the evening, to talk on literature, sup, and sleep; and to-morrow you shall return home, and see Lady Flora in the drawing-room if you cannot in the boudoir." And Clarence was easily persuaded to accept the invitation. Talbot was not one of those men who are forced to exert themselves to be entertaining. He had the pleasant and easy way of imparting his great general and curious information, that a man, partly humourist, partly philosopher, who values himself on being a man of letters, and is in spite of himself a man of the world, always ought to possess. Clarence was soon beguiled from the remembrance of his mortifications, and, by little and little, entirely yielded to the airy and happy flow of Talbot's conversation. In the evening, three or four men of literary eminence (as many as Talbot's small Tusculum would accommodate with beds) arrived, and in a conversation, free alike from the jargon of pedants and the insipidities of fashion, the night fled away swiftly and happily, even to the lover. CHAPTER XXXVIII. We are here (in the country) among the vast and noble scenes of Nature; we are there (in the town) among the pitiful shifts of policy. We walk here in the light and open ways of the divine bounty,--we grope therein the dark and confused labyrinths of human malice; our senses are here feasted with all the clear and genuine taste of their objects, which are all sophisticated there, and for the most part overwhelmed with their contraries: here pleasure, methinks, looks like a beautiful, constant, and modest wife; it is there an impudent, fickle, and painted harlot.--COWLEY. Draw up the curtain! The scene is the Opera. The pit is crowded; the connoisseurs in the front row are in a very ill
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