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shall greatly enjoy working out the business of bringing them round." There were moments when Charles Waterlow resented the very vocabulary of his friend; he hated to hear a man talk about the "acceptance" by any one but himself of the woman he loved. One's own acceptance--of one's bliss--in such a case ended the matter, and the effort to bring round those who gave her the cold shoulder was scarcely consistent with the highest spirit. Young Probert explained that of course he felt his relatives would only have to know Francina to like her, to delight in her, yet also that to know her they would first have to make her acquaintance. This was the delicate point, for social commerce with such malheureux as Mr. Dosson and Delia was not in the least in their usual line and it was impossible to disconnect the poor girl from her appendages. Therefore the whole question must be approached by an oblique movement--it would never do to march straight up. The wedge should have a narrow end, which Gaston now made sure he had found. His sister Susan was another name for this subtle engine; he would break her in first and she would help him to break in the others. She was his favourite relation, his intimate friend--the most modern, the most Parisian and inflammable member of the family. She had no suite dans les idees, but she had perceptions, had imagination and humour, and was capable of generosity, of enthusiasm and even of blind infatuation. She had in fact taken two or three plunges of her own and ought to allow for those of others. She wouldn't like the Dossons superficially any better than his father or than Margaret or than Jane--he called these ladies by their English names, but for themselves, their husbands, their friends and each other they were Suzanne, Marguerite and Jeanne; but there was a good chance of his gaining her to his side. She was as fond of beauty and of the arts as he--this was one of their bonds of union. She appreciated highly Charles Waterlow's talent and there had been talk of her deciding to sit to him. It was true her husband viewed the project with so much colder an eye that it had not been carried out. According to Gaston's plan she was to come to the Avenue de Villiers to see what the artist had done for Miss Francie; her brother was to have worked upon her in advance by his careful rhapsodies, bearing wholly on the achievement itself, the dazzling example of Waterlow's powers, and not on the you
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