of these proposals so agonizing to bleeding hearts; and presently they
reached the resting-place. When Jules beheld the earth so recently dug,
into which the masons had stuck stakes to mark the place for the stone
posts required to support the iron railing, he turned, and leaned upon
Jacquet's shoulder, raising himself now and again to cast long glances
at the clay mound where he was forced to leave the remains of the being
in and by whom he still lived.

"How miserably she lies there!" he said.

"But she is not there," said Jacquet, "she is in your memory. Come, let
us go; let us leave this odious cemetery, where the dead are adorned
like women for a ball."

"Suppose we take her away?"

"Can it be done?"

"All things can be done!" cried Jules. "So, I shall lie there," he
added, after a pause. "There is room enough."

Jacquet finally succeeded in getting him to leave the great enclosure,
divided like a chessboard by iron railings and elegant compartments, in
which were tombs decorated with palms, inscriptions, and tears as cold
as the stones on which sorrowing hearts had caused to be carved their
regrets and coats of arms. Many good words are there engraved in black
letters, epigrams reproving the curious, _concetti_, wittily turned
farewells, rendezvous given at which only one side appears, pretentious
biographies, glitter, rubbish and tinsel. Here the floriated thyrsus,
there a lance-head, farther on Egyptian urns, now and then a few
cannon; on all sides the emblems of professions, and every style of
art,--Moorish, Greek, Gothic,--friezes, ovules, paintings, vases,
guardian-angels, temples, together with innumerable _immortelles_, and
dead rose-bushes. It is a forlorn comedy! It is another Paris, with its
streets, its signs, its industries, and its lodgings; but a Paris seen
through the diminishing end of an opera-glass, a microscopic Paris
reduced to the littleness of shadows, spectres, dead men, a human race
which no longer has anything great about it, except its vanity. There
Jules saw at his feet, in the long valley of the Seine, between the
slopes of Vaugirard and Meudon and those of Belleville and Montmartre,
the real Paris, wrapped in a misty blue veil produced by smoke, which
the sunlight tendered at that moment diaphanous. He glanced with a
constrained eye at those forty thousand houses, and said, pointing to
the space comprised between the column of the Place Vendome and the
gilded cupola of the Inv