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ed that you have been poaching on my ground. I saw a landscape of yours the other day, which looked as if some of my curry powder had got into the sunset. I mean the one poor blind old Wilkins bought at your last show." "Ah, but that sunset was an inspiration, Colonel, and consequently beyond your comprehension." "It is easy to talk of inspiration," said Sir John, "and, perhaps, now that we are debating a matter of real importance, we might spend our time more profitably than in discussing what is and what is not a good picture. Some inspiration has been brought into our symposium, I venture to affirm that the brain which devised and the hand which executed the Tenerumi di Vitello we have just tasted, were both of them inspired. In the construction of this dish there is to be recognised a breath of the same afflatus which gave us the Florentine campanile, and the Medici tombs, and the portrait of Monna Lisa. When we stand before any one of these masterpieces, we realise at a glance how keen must have been the primal insight, and how strenuous the effort necessary for the evolution of so consummate an achievement; and, with the savour of the Tenerumi di Vitello still fresh, I feel that it deserves to be added to the list of Italian capo lavori. Now, as I was not fortunate enough to be included in the pupils' class this morning, I must beg the next time the dish is presented to us--and I imagine all present will hail its renaissance with joy--that I may be allowed to lend a hand, or even a finger, in its preparation." "Veal, with the possible exception of Lombard beef, is the best meat we get in Italy," said the Marchesa, "so an Italian cook, when he wants to produce a meat dish of the highest excellence, generally turns to veal as a basis. I must say that the breast of veal, which is the part we had for lunch today, is a somewhat insipid dish when cooked English fashion. That we have been able to put it before you in more palatable form, and to win for it the approval of such a connoisseur as Sir John Oglethorpe, is largely owing to the judicious use of that Italian terror--more dire to many English than paper-money or brigands--garlic." "The quantity used was infinitesimal," said Mrs. Sinclair, "but it seems to have been enough to subdue what I once heard Sir John describe as the pallid solidity of the innocent calf." "I fear the vein of incongruity in our discourse, lately noted by Van der Roet, is not quite
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