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it is." "Papa," interrupted the eldest of the three little girls, "canst thou take us to see the trial, when he shall be sworn?" "That depends! It is not easy! I will try--I will ask. If thou wilt work hard--Oh, dame!" said Bernardet, "that will be a drama!" "I will work hard." At dessert, after he had taken his coffee, he allowed his three little girls to dip lumps of sugar into his saucer. He threw himself into his easy chair; he gave a sigh of satisfaction, like a man whose daily, wearisome tasks are behind him, and who is catching a moment's repose. "Ah!" he said, opening a paper which his wife had placed on a table near him, together with a little glass of cordial sent to them by some cousins in Burgundy; "I am going to see what has happened and what those good journalists have invented about the affair in the Boulevard de Clichy. It is true, it is a steeplechase between the reporters and us. Sometimes they win the race in the mornings. At other times, when they know nothing--ah! Then they invent, they embroider their histories!" A petroleum lamp lighted the paper which Bernardet unfolded and began to read. "Let us see what _Lutece_ says." He suddenly remembered what Paul Rodier had said to him. "Read my journal!" This woman in black, found in the province, did she really exist? Had the novelist written a romance in order to follow the example of his friend? He looked over the paper to see if Paul Rodier had collaborated, as his friend had. Bernardet skipped over the headlines and glanced at the theatrical news. "Politics--they are all the same to me--Ministerial crisis--nothing new about that. That could as well be published in yesterday's paper as in to-day's! 'The Crime of the Boulevard de Clichy'--ah! Good! Very good! We shall see." And he began to read. Had Paul Rodier invented all the information to which he had treated the public? What was certain was that the police officer frowned and now gave strict attention to what he was reading, as if weighing the reporter's words. Rodier had republished the biography of the ex-Consul. M. Rovere had been mixed, in South America, in violent dramas. He was a romantic person, about whom more than one adventure in Buenos Ayres was known. The reporter had gained his information from an Argentine journal, the _Prensa_, established in Paris, and whose editor, in South America, had visited, intimately, the French Consul. The appearance of a woman in black,
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