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rming and delightful!' I had not counted on this sort of thing, and glanced for help to Edward, who, hands in pockets, looked grimly down his nose. He had taken his line, and meant to stick to it. Meantime our friend had made an imaginary spy-glass out of his fist, and was squinting through it at something I could not perceive. 'What an exquisite bit!' he burst out. 'Fifteenth century--no--yes it is!' I began to feel puzzled, not to say alarmed. It reminded me of the butcher in the _Arabian Nights_, whose common joints, displayed on the shop-front, took to a startled public the appearance of dismembered humanity. This man seemed to see the strangest things in our dull, familiar surroundings. 'Ah!' he broke out again, as we jogged on between hedgerows: 'and that field now--backed by the downs--with the rain-cloud brooding over it,--that's all David Cox--every bit of it!' 'That field belongs to Farmer Larkin,' I explained politely; for of course he could not be expected to know. 'I'll take you over to Farmer Cox's to-morrow, if he's a friend of yours; but there's nothing to see there.' Edward, who was hanging sullenly behind, made a face at me, as if to say, 'What sort of lunatic have we got here?' 'It has the true pastoral character, this country of yours,' went on our enthusiast: 'with just that added touch in cottage and farmstead, relics of a bygone art, which makes our English landscape so divine, so unique!' Really this grasshopper was becoming a burden! These familiar fields and farms, of which we knew every blade and stick, had done nothing that I knew of to be bespattered with adjectives in this way. I had never thought of them as divine, unique, or anything else. They were--well, they were just themselves, and there was an end of it. Despairingly I jogged Edward in the ribs, as a sign to start rational conversation, but he only grinned and continued obdurate. 'You can see the house now,' I remarked presently; 'and that's Selina, chasing the donkey in the paddock. Or is it the donkey chasing Selina? I can't quite make out; but it's _them_, anyhow.' Needless to say, he exploded with a full charge of adjectives. 'Exquisite!' he rapped out; 'so mellow and harmonious! and so entirely in keeping!' (I could see from Edward's face that he was thinking who ought to be in keeping.) 'Such possibilities of romance, now, in those old gables!' 'If you mean the garrets,' I said, 'there's a lot of old
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