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ave been deceived by it. Those performances were really most brilliant affairs, and an invitation to them was only less highly prized than that to the ball which always followed the play on November 15th, the Empress's fete-day.[65] The cost of each performance was estimated at between twenty and thirty thousand francs, according to the company performing. I am repeating the official statement, though inclined to think it somewhat exaggerated. Except the Opera or Opera-Comique, there was not then, nor is there now, a theatre in Paris whose nightly receipts, with "the greatest success," exceed seven or eight thousand francs. Allowing for an additional three thousand francs for railway travelling and sundry expenses, I fail to see how the remainder of the sum was disbursed, unless it was in douceurs to the performers. There is less doubt, however, about the expenses of the Chateau during this annual series of fetes. It could not have been less than forty-five thousand francs per diem, and must have often risen to fifty thousand francs, exclusive of the cost of the theatrical performances, because the luxe displayed on these occasions was truly astonishing--I had almost said appalling. [Footnote 65: The Sainte-Eugenie, according to the Church Calendar. In France, it is not the birthday, but the day of the patron-saint whose name one bears, which is celebrated.--EDITOR.] The theatre was built on the old-fashioned principle, and what we call stalls were not known in those days. There was something analogous to them at the Opera and the Theatre-Francais, but they were exclusively reserved to the male sex. Both these theatres still keep up the same traditions in that respect. At Compiegne the whole of the ground floor, parterre, or pit, as we have misnamed it--"groundlings" is a much more appropriate word, perhaps, than "pittites"--was occupied by the officers of all grades of the regiments quartered at Compiegne and in the department. The chefs de corps and the chief dignitaries of State filled the amphitheatre, which rose in a gentle slope from the back of the parterre to just below the first tier of boxes, or rather to the balcony tier, seeing that the only box on it was the Imperial one. The latter, however, took up much more than the centre, for it had been constructed to seat about two hundred persons. Only a slight partition, elbow high, divided it from the rest of the tier, when
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