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ors il nous ecrivait des lettres, mais des lettres, comme on n'en ecrit plus. En voila deux qu'il m'a ecrites lorsque j'etais tres jeune fille." Whereupon she showed me what were really two charming gossiping little essays on the art of punctuation. It appears that the little lady was either very indifferent to, or ignorant of the art; and the father wrote, "My dear Henriette, I am afraid I shall still have to take you to task with regard to your punctuation: there is little or none of it in your letters. All punctuation, commas or other signs, mark a period of repose for the mind--a stage more or less long--an idea which is done with or momentarily suspended, and which is being divided by such a sign from the next. You suppress those periods, those intervals; you write as the stream flows, as the arrow flies. That will not do at all, because the ideas one expresses, the things of which we speak, are not all intimately connected with one another like drops of water." The second letter showed that Mdlle. Guizot must have taken her revenge, either very cleverly, or that she was past all redemption in the matter of punctuation; and as the latter theory is scarcely admissible, knowing what we do of her after-life, we must admit the former. The letter ran as follows: "MY DEAR HENRIETTE, "I dare say you will find me very provoking, but let me beg of you not to fling so many commas at my head. You are absolutely pelting me with them, as the Romans pelted that poor Tarpeia with their bucklers." It reminds one of Marguerite Thuillier, who "created Mimi" in Muerger and Barriere's "Vie de Boheme," when Muerger fell in love with her. "I can't do with him," she said to his collaborateur, who pleaded for him,--"I can't do with him; he is too badly dressed, he looks like a scarecrow." Barriere advised his friend to go to a good tailor and have himself rigged out in the latest fashion. The advice was acted upon; Barriere waited anxiously for the effect of the transformation upon the lady's heart. A fortnight elapsed, and poor Muerger was snubbed as usual. Barriere interceded once more. "I can do less with him than before," was the answer; "he is too well dressed, he looks like a tailor's dummy." To return to M. Guizot, whom, in the course of the whole of our acquaintance, I have only seen once "put out." It was when the fiat went forth that his house was to come down to make room for the new Boulevard
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