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take their cue from Victor Hugo's "highfalutin'" remonstrance to King William; on the contrary, it was the poet who translated their sentiments. It was not a case of "one fool making many;" but of many mute inglorious visionaries inspiring a still greater one, who had the gift of eloquence, which eloquence, in this instance, bordered very closely on sublimated drivel. Nevertheless, the whole of Paris became suddenly transformed into one vast drill-ground, and the clang of arms resounded through the city day and night. For the time being, the crowds left off singing, albeit that they listened now and then devoutly and reverently to itinerant performers, male and female, who had paraphrased the patriotic airs of certain operas for the occasion. The "Pars beau mousquetaire," etc., of Halevy, became "Pars beau volontaire;" the "Guerre aux tyrans," of the same composer, "Guerre aux all'mands,"[82] and so forth. [Footnote 82: The first from "Les Mousquetaires de la Reine;" the second from "Charles VI."--EDITOR.] All the theatres had closed their doors by this time, the Comedie-Francaise being last, I believe; though, almost immediately afterward, it threw open its portals once more for at least two performances a week, and often a third time, in aid of the victims of the siege. Meanwhile, several rooms were being got ready for the reception of the wounded; the new opera-house, still unfinished, was made into a commissariat and partly into a barracks, for the provincial Gardes Mobiles were flocking by thousands to the capital, and the camps could not hold them all. For once in a way the Parisian forgot to chaff the provincial who came to pay him a visit; and considering that, even under such circumstances, all drill and no play would make Jacques a dull boy, he not only received him very cordially, but showed him some of the lions of the capital, at which the long-haired gaunt and stolid Breton stared without moving a muscle, only muttering an unintelligible gibberish, which might be an invocation to his ancient pagan gods, or a tribute of admiration; while the more astute and cynical, though scarcely more impressionable Normand, ten thousand of which had come from the banks of the Marne, showed the thought underlying all his daily actions, in one sentence: "C'est _ben_ beau, mais ca a coute beaucoup d'argent; fallait mieux le garder en poche." Even at this supreme moment, he remembered, with a kind of
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