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ong time in coming to the pantomime; I am not ready to come to it yet in due course, for we ought to go and see the Japanese jugglers first, in order to let me fully explain to you what I mean. But I can't write much more to-day; so I shall merely tell you what part of the play set me thinking of all this, and leave you to consider of it yourself, till I can send you another letter. The pantomime was, as I said, 'Ali Baba and the Forty Thieves.' The forty thieves were girls. The forty thieves had forty companions, who were girls. The forty thieves and their forty companions were in some way mixed up with about four hundred and forty fairies, who were girls. There was an Oxford and Cambridge boat-race, in which the Oxford and Cambridge men were girls. There was a transformation scene, with a forest, in which the flowers were girls, and a chandelier, in which the lamps were girls, and a great rainbow which was all of girls. 23. Mingled incongruously with these seraphic, and, as far as my boyish experience extends, novel, elements of pantomime, there were yet some of its old and fast-expiring elements. There were, in speciality, two thoroughly good pantomime actors--Mr. W. H. Payne and Mr. Frederick Payne. All that these two did, was done admirably. There were two subordinate actors, who played, subordinately well, the fore and hind legs of a donkey. And there was a little actress of whom I have chiefly to speak, who played exquisitely the little part she had to play. The scene in which she appeared was the only one in the whole pantomime in which there was any dramatic effort, or, with a few rare exceptions, any dramatic possibility. It was the home scene, in which Ali Baba's wife, on washing day, is called upon by butcher, baker, and milkman, with unpaid bills; and in the extremity of her distress hears her husband's knock at the door, and opens it for him to drive in his donkey, laden with gold. The children who have been beaten instead of getting breakfast, presently share in the raptures of their father and mother; and the little lady I spoke of, eight or nine years old,--dances a _pas-de-deux_ with the donkey. 24. She did it beautifully and simply, as a child ought to dance. She was not an infant prodigy; there was no evidence, in the finish or strength of her motion, that she had been put to continual torture through half her eight or nine years. She did nothing more than any child well taught, but painlessly, m
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