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Project Gutenberg's The Best Portraits in Engraving, by Charles Sumner This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Best Portraits in Engraving Author: Charles Sumner Release Date: September 11, 2007 [EBook #22574] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE BEST PORTRAITS IN ENGRAVING *** Produced by Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE BEST PORTRAITS IN ENGRAVING. BY CHARLES SUMNER. _Fifth Edition._ FREDERICK KEPPEL & CO. NEW YORK, 20 EAST 16th STREET. LONDON, PARIS, 3 DUKE STREET, ADELPHI. 27 QUAI DE L'HORLOGE. Entered according to Act of Congress, in the year 1875, by FREDERICK KEPPEL, In the Office of the Librarian of Congress at Washington. THE BEST PORTRAITS IN ENGRAVING. Engraving is one of the fine arts, and in this beautiful family has been the especial handmaiden of painting. Another sister is now coming forward to join this service, lending to it the charm of color. If, in our day, the "chromo" can do more than engraving, it cannot impair the value of the early masters. With them there is no rivalry or competition. Historically, as well as aesthetically, they will be masters always. Everybody knows something of engraving, as of printing, with which it was associated in origin. School-books, illustrated papers, and shop windows are the ordinary opportunities open to all. But while creating a transient interest, or, perhaps, quickening the taste, they furnish little with regard to the art itself, especially in other days. And yet, looking at an engraving, like looking at a book, may be the beginning of a new pleasure and a new study. Each person has his own story. Mine is simple. Suffering from continued prostration, disabling me from the ordinary activities of life, I turned to engravings for employment and pastime. With the invaluable assistance of that devoted connoisseur, the late Dr. Thies, I went through the Gray collection at Cambridge, enjoying it like a picture-gallery. Other collections in our country were
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