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The Project Gutenberg eBook, The Bridge of the Gods, by Frederic Homer Balch, Illustrated by L. Maynard Dixon This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Bridge of the Gods A Romance of Indian Oregon. 19th Edition. Author: Frederic Homer Balch Release Date: May 14, 2009 [eBook #28815] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE BRIDGE OF THE GODS*** E-text prepared by Roger Frank, Darleen Dove, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 28815-h.htm or 28815-h.zip: (http://www.gutenberg.org/files/28815/28815-h/28815-h.htm) or (http://www.gutenberg.org/files/28815/28815-h.zip) THE BRIDGE OF THE GODS [Illustration: "_What think you now, Tohomish?_"] THE BRIDGE OF THE GODS A Romance of Indian Oregon by F. H. BALCH With eight full-page illustrations by L. Maynard Dixon NINETEENTH EDITION Chicago . A. C. McClurg & Co. Nineteen Hundred & Fifteen Copyright A. C. McClurg & Co. 1890 and 1902 W. F. Hall Printing Company, Chicago PUBLISHERS' NOTE Encouraged by the steady demand for Mr. Balch's "The Bridge of the Gods," since its publication twelve years ago, the publishers have decided to issue a new edition beautified with drawings from the pencil of Mr. L. Maynard Dixon. This tale of the Indians of the far West has fairly earned its lasting popularity, not only by the intense interest of the story, but by its faithful delineations of Indian character. In his boyhood Mr. Balch enjoyed exceptional opportunities to inform himself regarding the character and manners of the Indians: he visited them in their homes, watched their industries, heard their legends, saw their gambling games, listened to their conversation; he questioned the Indians and the white pioneers, and he read many books for information on Indian history, traditions, and legends. By personal inquiry among old natives he learned that the Bridge which suggested the title of his romance was no fabri
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