.
From the opening of the National Convention to the reaction of
"Thermidor" it is estimated that more than three million people assisted
at what they rightly, or wrongly, considered as a "spectacle" staged
only for their amusement.
By the time Napoleon had come into power the Tuileries was hardly
habitable, and before taking up his residence he was obliged to make
immediate and extensive transformations.
On February 19, 1800, Napoleon, still First Consul, left the Palais de
Luxembourg and took up his residence in the Tuileries, the Third Consul,
Lebrun, being lodged in the Pavillon de Flore, in the "Petite
Appartement," which Marie Antoinette had fitted up for her temporary
accommodation when in town. Lebrun, however, gave up his lodging to the
Pope when the Pontiff came to Paris at Napoleon's orders. Consul
Cambaceres, however, refused to shelter himself beneath the roof of the
Tuileries, and indicated a preference for the magnificent Hotel
d'Elboeuf, which was accommodatingly put at his disposition.
Napoleon entered the Tuileries in state, preceded and followed by an
imposing cortege. At the gate of the Carrousel the consuls alighted from
their carriages, and were received by the Consular Guard. On their
arrival the consuls read the following inscription posted at the
entrance: "On August 10th monarchy in France was forever abolished; it
will never be restored." By the 20th of February the inscription had
disappeared. Besides, orders were given to cut down the two liberty
trees which had been planted in the courtyard. On August 10 a large
quantity of cannon shot had been lodged in the facade of the Tuileries,
and around the shot were written these words: "Tenth of August." The
cannon balls disappeared, as well as the inscriptions, when the Arc de
Triomphe was erected on the Place du Carrousel.
This alteration gave great satisfaction. It was important for the
tranquillity of France that the new government should inherit rather the
sword of Charlemagne than the guillotine of Marat.
[Illustration: _Salle des Marechaux, Tuileries_]
The imperial court soon displayed its splendour and magnificence in
the Palais des Tuileries, as a foregone conclusion anticipated.
In a gorgeous and imposing Salle du Trone one might have seen in the
deep casement of the central window, standing up, their hats off, the
group of the Corps Diplomatique, the members of which, loaded with
decorations, ensigns, and diamonds, tremb
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