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istory is not interesting. As time fled to the monotonous clink of coins over the bar he set up in the frame shack that faced the desert trail, Ladron's importance in Lamo was divided by six. The other dispensers had not come together; they had appeared as the needs of the population seemed to demand--and all had flourished. Lamo's other buildings had appeared without ostentation. There were twenty of them. A dozen of the twenty, for one reason or another, need receive no further mention. Of the remaining few, one was occupied by Sheriff Gage; two others by stores; one answered as an office and storage-room for the stage company; and still another was distinguished by a crude sign which ran across its weather-beaten front, bearing the legend: "Lamo Eating-House." The others were private residences. Lamo's buildings made some pretense of aping the architecture of buildings in other towns. The eating-house was a two-story structure, with an outside stairway leading to its upper floor. It had a flat roof and an adobe chimney. Its second floor had been subdivided into lodging-rooms. Its windows were small, grimy. Not one of Lamo's buildings knew paint. The structures, garish husks of squalor, befouled the calm, pure atmosphere, and mocked the serene majesty of nature. For, beginning at the edge of "town," a contrast to the desert was presented by nature. It was a mere step, figuratively, from that land from which came the whisper of death, to a wild, virgin section where the hills, the green-brown ridges, the wide sweeps of plain, and the cool shadows of timber clumps breathed of the promise, the existence, of life. To Barbara Morgan, seated at one of the east windows of the Lamo Eating-House--in the second story, where she could look far out into the desert--the contrast between the vivid color westward and the dun and dead flatness eastward, was startling. For she knew her father had entered the desert on his way to Pardo, on some business he had not mentioned; and the whispered threat that the desert carried was borne to her ears as she watched. On a morning, two days before, Morgan had left the Rancho Seco for Pardo. The girl had watched him go with a feeling--almost a conviction--that she should have kept him at home. She had not mentioned to him that she had a presentiment of evil, for she assured herself that she should have outgrown those puerile impulses of the senses. And yet, having watched him depa
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