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* * * * To-night, as a chill December wind wails through the leafless elms and chestnuts of this quiet Kentish village, I think of that far-away Christmas eve, and the rough, honest, sun-browned faces of the men who were around me, and pressed my hand when Peter Huysmans spoke of home and Christmas, and Tom Devine of 'the dear faces whom we never might see again.' For only one, with the writer, is left. MacBride and his gentle, sweet-voiced Sera went to their death a year or two later in the savage and murderous Solomons; Wolfen and his wife and children perished at sea when the _Sadie Foster_ schooner turned turtle off the Marshalls; and Devine and Charley de Buis, comrades to the last, sailed away to the Moluccas in a ten-ton boat and were never heard of again--their fate is one of the many mysteries of the deep. Peter Huysmans is alive and well, and only a year ago I grasped his now trembling hand in mighty London, and spoke of our meeting on Milli Lagoon. And then again, in a garish and tinselled City bar, we raised our glasses and drank to the memory of those who had gone before. THE END End of Project Gutenberg's Ridan The Devil And Other Stories, by Louis Becke *** END OF THIS PROJECT GUTENBERG EBOOK RIDAN THE DEVIL AND OTHER STORIES *** ***** This file should be named 24835.txt or 24835.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/8/3/24835/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do
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