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ty is indicated by a shadowy hand." "I see thou hast had custom already, Sandro," continued Nello, addressing a solemn-looking dark-eyed youth, who made way for them on the threshold. "And now make all clear for this signor to sit down. And prepare the finest-scented lather, for he has a learned and a handsome chin." "You have a pleasant little adytum there, I see," said the stranger, looking through a latticed screen which divided the shop from a room of about equal size, opening into a still smaller walled enclosure, where a few bays and laurels surrounded a stone Hermes. "I suppose your conclave of _eruditi_ meets there?" "There, and not less in my shop," said Nello, leading the way into the inner room, in which were some benches, a table, with one book in manuscript and one printed in capitals lying open upon it, a lute, a few oil-sketches, and a model or two of hands and ancient masks. "For my shop is a no less fitting haunt of the Muses, as you will acknowledge when you feel the sudden illumination of understanding and the serene vigour of inspiration that will come to you with a clear chin. Ah! you can make that lute discourse, I perceive. I, too, have some skill that way, though the serenata is useless when daylight discloses a visage like mine, looking no fresher than an apple that has stood the winter. But look at that sketch: it is a fancy of Piero di Cosimo's, a strange freakish painter, who says he saw it by long looking at a mouldy wall." The sketch Nello pointed to represented three masks--one a drunken laughing Satyr, another a sorrowing Magdalen, and the third, which lay between them, the rigid, cold face of a Stoic: the masks rested obliquely on the lap of a little child, whose cherub features rose above them with something of the supernal promise in the gaze which painters had by that time learned to give to the Divine Infant. "A symbolical picture, I see," said the young Greek, touching the lute while he spoke, so as to bring out a slight musical murmur. "The child, perhaps, is the Golden Age, wanting neither worship nor philosophy. And the Golden Age can always come back as long as men are born in the form of babies, and don't come into the world in cassock or furred mantle. Or, the child may mean the wise philosophy of Epicurus, removed alike from the gross, the sad, and the severe." "Ah! everybody has his own interpretation for that picture," said Nello; "and if you ask Piero h
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