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* * * * We passed through the tunnel in five or six seconds. In another five seconds, we had not only taken off, but had worked up a formidable speed. We barely felt the explosion when it came. But on the instrument board in front of Virginia Crane, gleamed a little box with a ground-glass top, and in that we saw, as by a magic, what happened on Orcon. First the mountains which topped the subterranean power houses were lifted off. Then the whole planet rocked. Finally the caverns were inundated by the deluge of the sea which, in the beginning, had so nearly swallowed us. Orcon was not destroyed, but we knew even then that such of its inhabitants as might remain alive would not soon again dream of making an attack upon Earth. On the way back, as Earth took form and grew round in the interminable reaches of space ahead of us, I got on well with Captain Crane. It started when she asked me if I were still so cocksure that woman had no place in the U. S. W. Upper Zone Patrol, and I was forced to answer that I was not. After that, one thing led to another. We were photographed together when we landed beside the colossal, metal-roofed hangars of the Long Island station of the U. S. W. The snapshot was published in that afternoon's tabloids under the caption: Betrothed. Transcriber's Note: This e-text was produced from Astounding Stories January 1932. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. End of Project Gutenberg's The Winged Men of Orcon, by David R. Sparks *** END OF THIS PROJECT GUTENBERG EBOOK THE WINGED MEN OF ORCON *** ***** This file should be named 22176.txt or 22176.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/1/7/22176/ Produced by Greg Weeks, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUT
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