rge apparatus for
projecting moving pictures on a screen, and an ice-cream soda fountain
with four taps, of the type one admires--but does not wish to possess--in
the New York chemists' shops!! The Shah's, however, lacks three
things,--the soda, the ice, and the syrups!
Less modern but more reposeful is the next ante-room with white walls and
pretty wood ceiling. It has some military pictures of no great value.
On going down ten steps we find ourselves in a long conservatory with
blue and yellow tiles and a semi-open roof. A channel of water runs in
the centre of the floor, and is the outlet of three octagonal basins and
of spouts at intervals of ten feet. There is a profusion of lemon and
orange trees at the sides of the water, and the place is kept deliciously
cool.
Here we emerge again into the gardens, which are really beautiful
although rather overcrowded, but which have plenty of fountains and huge
tanks, with handsome buildings reflected into the water.
The high tiled square towers, one of the landmarks of Teheran, are quite
picturesque, but some of the pleasure of looking at the really fine view
is destroyed by numerous ugly cast-iron coloured figures imported from
Austria which disfigure the sides of all the reservoirs, and are quite
out of keeping with the character of everything round them.
We are now conducted into another building, where Roman mosaics occupy a
leading position, a large one of the Coliseum being quite a valuable work
of art; but on entering the second room we are suddenly confronted by a
collection of hideous tin ware and a specimen case of ordinary fish
hooks, manufactured by Messrs. W. Bartlett and Sons. Next to this is a
framed autograph of "Nina de Muller of St. Petersburg," and a
photographic gathering of gay young ladies with suitable
inscriptions--apparently some of the late Shah's acquaintances during his
European tours. Here are also stuffed owls, an automatic juggler, an
imitation snake, Japanese screens, and an amusing painting by a Persian
artist of Adam and Eve in the Garden of Eden--the forbidden fruit already
missing.
Previous to entering the largest room we come to an ante-room with
photographs of scenery and events belonging to the Shah's tour to
Europe.
In the large gold room the whole set of furniture, I am told, was
presented to Nasr-ed-din Shah by the Sultan of Turkey, and there are,
besides, six large oil-paintings hanging upon the walls in gorgeous gold
|