FREE BOOKS

Author's List




PREV.   NEXT  
|<   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188  
189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   >>   >|  
s worth. Then, with a long sigh, half of relief, half of sorrow that he had lost the companion of so many months, he settled down to put certain lazy, finishing touches to his overture, (already accepted by the Moscow orchestra); to sleep as he would; and dream, delightfully, as only the true artist can, of his forthcoming task: his opera, "The Boyar." And yet, despite the joys of resting his tired body and yet more tired mind, his contentment was not complete. For each succeeding day increased the restless impatience with which he awaited his letter from Petersburg. * * * * * At eight o'clock on the evening of April 7th Anton Rubinstein, in the living-room of his luxurious Petersburg suite, was sitting at his piano, where, spread out before him, were some sixty sheets of finely-written manuscript music:--a piano score. The master was playing from it, contemplatively, a swinging, swaying minor melody, interwoven with an intricate and rich accompaniment. He had reached a pause, betokening some change of _tempo_ or key, when the portieres were pushed noiselessly aside, and a servitor in livery appeared, announcing: "The Herr Direktor!" At once Zaremba, tall, angular, round-shouldered, his fluffy reddish hair and side whiskers looking thinner and fluffier than ever, entered, throwing the garments which he had refused the footman down upon one end of a long, Turkish divan. Then the new-comer advanced, deliberately, to the piano, halted in the side angle of the instrument, and returned the long, white-faced stare with which Rubinstein greeted him. Finally the head of the Conservatoire uttered a dry: "Well?" The _virtuoso_ shook the long hair back from his face, cleared his throat, and murmured, hesitating, peculiarly, after each word: "The thing--has--several--good points." "Points!" Zaremba croaked, scornfully. "Points!--It's a masterpiece!" Anton Rubinstein sprang to his feet, oversetting the piano-chair in which he had been sitting. "Well--what if it is?"--pacing rapidly up and down.--"What if, by accident, it happens to be--remarkable? The fellow's a boy--a mere child--in his trustfulness!--And he's never done anything like this--before.--It'll turn his head, completely--if he learns the--this opinion, of yours. Besides, he'll believe exactly what we tell him. And--and--" "And he might suddenly turn _virtuoso_; in which case Monsieur Rubinstein--the _gr-r-reat_ Monsie
PREV.   NEXT  
|<   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188  
189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   >>   >|  



Top keywords:
Rubinstein
 

Points

 

virtuoso

 

Zaremba

 

sitting

 

Petersburg

 

cleared

 
greeted
 

uttered

 
Conservatoire

Finally

 

entered

 

throwing

 

garments

 

footman

 
refused
 

fluffier

 
fluffy
 

shouldered

 

reddish


whiskers

 
thinner
 

halted

 

instrument

 

returned

 

deliberately

 

advanced

 
Turkish
 

throat

 

scornfully


completely
 

learns

 
opinion
 

trustfulness

 

Besides

 

Monsieur

 

Monsie

 

suddenly

 

fellow

 

remarkable


points

 

croaked

 

masterpiece

 
peculiarly
 
hesitating
 

sprang

 
accident
 

rapidly

 

pacing

 

oversetting