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f war. He thought of plague. He thought of starvation. He knew that he would never paint again. He let his paintbrush fall to the dropcloths below. And then he decided he had had about enough of life in the Happy Garden of Life, too, and he came slowly down from the ladder. He took Wehling's pistol, really intending to shoot himself. But he didn't have the nerve. And then he saw the telephone booth in the corner of the room. He went to it, dialed the well-remembered number: "2 B R 0 2 B." "Federal Bureau of Termination," said the very warm voice of a hostess. "How soon could I get an appointment?" he asked, speaking very carefully. "We could probably fit you in late this afternoon, sir," she said. "It might even be earlier, if we get a cancellation." "All right," said the painter, "fit me in, if you please." And he gave her his name, spelling it out. "Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from future generations." END End of the Project Gutenberg EBook of 2 B R 0 2 B, by Kurt Vonnegut *** END OF THIS PROJECT GUTENBERG EBOOK 2 B R 0 2 B *** ***** This file should be named 21279.txt or 21279.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/2/7/21279/ Produced by Robert Cicconetti, Geetu Melwani and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practical
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