attraction, for even after knowing her for years one could always
count on some surprise, some unexpected contrast which went far in
making up her fascinating personality." Contradictions undoubtedly
were to be found in her; thus during her later years Mrs. STEVENSON
intensely desired quietness and peace, and yet her love for change of
scene never seemed to abate; but she was constant in her devotion as a
wife and in her staunchness as a friend. Some excellent illustrations
are included in this volume, and the only fault I have to find with it
is that it lacks an index.
* * * * *
In selecting his hero for _No Defence_ (HODDER AND STOUGHTON) from
the mutineers at the Nore, it may be admitted that Sir GILBERT PARKER
displayed a certain originality. With regard, to the _clou_ of his
plot, however, I can hardly say so much. Melodramatic young lovers
have (in fiction) gone to prison and worse rather than employ a
defence involving distress to the ladies of their choice, from ages
untold. _Dyck Calhoon_ did it when he was wrongly indicted for the
killing of _Erris Boyne_, who was a traitor in the pay of France and
incidentally the father of the heroine _Sheila_; though she knew
nothing of this and would have been badly worried if the hazards of a
defended murder case had brought it to light. Do you call the motive
sufficient? No more do I. However, _Dyck_ goes to prison, emerging
just in time to join the fleet and became a successful rebel under the
Naval soviets established by RICHARD PARKER. Subsequently he takes his
ship into action on the legitimate side, earns the quasi-pardon of
exile on parole in Jamaica, finds a fortune of Spanish treasure,
quells a black rising, is cleared of the murder charge (by the wholly
preposterous arrival in the island of the now aged lady who had really
done the deed--exactly like the _finale_ of a GILBERT and Sullivan
opera) and marries the heroine. A breathless plot, by which, however,
my own pulse remained unquickened. To be brutally frank, indeed, the
telling seemed to me wholly lacking in precisely the qualities of dash
and crescendo required to carry off such a tale. Costume romance that
halts and looks backward soon loses my following.
* * * * *
[Illustration: _LA BELLE DAME SANS MERCI._]
* * * * *
Airedales and collies, according to Lieut.-Colonel E. H. RICHARDSON,
are notable f
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